Monday, February 4, 2019

Honest Iago Essay -- essays papers

Honest Iago The poet Coleridge appropriately expound the character of Iago as being one of indigenceless malignity. Throughout the gambling Iagos motives are secondary to, and discoverm further to serve as justification for, his actions. Iago is driven by his nature of character. To discuss Coleridges sound judgment we must look at Iagos characterfrom Iagos crest of view and that of the some other charactershis motives, methods, and pawns. Through some carefully thought-out words and actions, Iago is sufficient to manipulate others to do things in a way that benefits him all the composition he is pushing Othello, Desdemona, Roderigo, Emilia, and Cassio to their tragic end. According to Websters New International Dictionary, sulphur Edition, malignity is partially defined as disposition to do offense. loose is implied in the definition of malignity. That one has a disposition to do barbarous is to say evil is in the nature of the malignant person motive is no t an issue. Motiveless malignity is redundant in the pure sum of the words. Does Coleridge mean to say that Iago cannot help himself from being evil or does he mean that what Iago did was without motive? For the sake of this discussion, Coleridge intends the later. Abbott states in truth character is what a person is reputation is what he is supposed to be. (Websters) Is Iago evil? No, he is not. Walter Lippmann says that evil is not a quality of things as such. It is a quality of our likeness to them. (Websters) Iago is not opposed to good (a partial definition of evil) however, he is amoral and malicious. How does Iago see himself? Others there are who, trimmed in forms and visages of duty, keep yet their wagon attending on themselves, and t... ...d knowledge of the nature of things to play a plunk for and win. He does not make each move with conscious reason, only to win the game thus Iago is motiveless at each step. He is like a child who only enjoys tumblin g down the blocks of other children he is the play-yard bully. When asked wherefore, the bully generally shrugs and says I dont know. too when asked why, Iagos response is just as simple What you know, you know. Act V, Scene 2, Line 302 And Iago knew why and he knew how. Iago most honestly confesses to Emily I told him what I thought, and told no to a greater extent than what he found himself was apt and true Act V, Scene 2, Line 175 The unarticulate line comes next they believed what they wantedthey are the guilty not I. Iago is a crafty, intelligent, manipulative school-yard bully, who is motiveless at each move. Iago is an honest man--deadly honest.

No comments:

Post a Comment