At first glance it seems that Nella Larsen wrote Quicksand just to irritate and flummox her readers with a wishy-washy vague heroine who has no direction in her life, hitherto is invariably unsatisfied with her available roles. I was in person pique when this fictional wo worldly concern, Helga Crane, was given opportunity afterward opportunity, first a decent job at a well-respected school, hence an employer who helps her draw off on her feet in youthful York, then money send to her from her uncle, then an open invitation to digest with her aunt in Copenhagen, then a married duo proposal to a wealthy man, yet to have her rule in the offer and go where the wind blows her, constantly sad and complaining. I found the ending fitting, that this charwoman who neer lifted a finger to effect any change, who neer showed any manic disorder or zest for life would convalesce herself married to a decent yet inappropriate man who did not name what a fragile thing he had marr ied. Â Â Â Â Â Â Â Â Then I read the novel again. Upon second glance, I saw Larsen fashioning a social commentary approximately a black womans role during the Harlem Renaissance.
The characters in the novel cook up the distinguishable ideologies of black philosophers during the Harlem Renaissance, and through this novel, Larsen shows how each falls jejune when confronted with a true, complex black woman. Not only is Helga a tender-hearted character, but the very nature of her intelligence and debaucher prevents her from livelihood the life a good black woman should want, namely the teaching position at Naxos, or marriage to a prosperous man. She realiz! es on that point is something more out in that respect for her, but having been raised as an outcast among her own conflux because of her lack of family, she is given little opportunity to find a suitable... If you want to get a full essay, order it on our website:
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